#TTONI ALLAYLIS MAD MAX BEYOND THUNDERDOME MOVIE#

#TTONI ALLAYLIS MAD MAX BEYOND THUNDERDOME MOVIE#

But I wanted to do a movie that was almost like a silent film, where there wasn’t much dialogue. And then we wrote an illustrated screenplay based on that, with the dialogue and so on. In this case, we mapped out the story and its first iteration was an extended storyboard – 3,500 panels that we put around a room. So then you have to sit down and render it in some form. And then you find yourself getting excited by the idea of seeing it…and then you find yourself saying to your colleagues “I think we’re going to make another Mad Max movie”. But as these things happen, they keep on coming back and revisiting unbidden and you suddenly find yourself playing it out. And when the basic triggering idea for another Mad Max flashed into my mind, I just pushed it away and thought “No”. I’m hardwired for it now so I’m always coming up with stories. Having done three Mad Max movies, the last thing I wanted to do was another one! But ever since I was a kid, I have lived the imaginative life. How did you approach the task of writing a new story for both your established fans and a new generation? Tell me was it like to revisit an iconic character that you created over 30 years ago. George Miller on set of Mad Max: Fury Road But what about the writing? How do you set about creating a screenplay for a two-hour film that is going to consist of non-stop action and take place almost exclusively on the road? I sat down with George Miller to find out about his intensely visual movie and the unusual approach to screenwriting that it required. Mad Max: Fury Road has new heroes and new villains, and a wealth of new technologies utilized to create a viewer experience of the Road Warrior like never before. Now, 30 years after Mad Max Beyond Thunderdome, a 10-year effort sees Tom Hardy inherit the black leather jacket from Mel Gibson (the very same jacket, as it turns out), and Miller’s legendary character take to the road once again. The story of a unique hero in a desolate wasteland overrun by road gangs began to take form, the Mad Max franchise was born and Miller was credited with fathering the post-apocalyptic genre.įrom there, Miller went on build an eclectic resume, garnering Academy Award nominations for films as diverse as Babe and Lorenzo’s Oil, and taking home the golden statue in 2007 for Happy Feet. Miller decided to explore a new career by combining his experience in the emergency room treating victims of car crashes with his passion for action films. Having graduated medical school in the late 1970s, the young Dr.

It’s been 36 years since writer, director and producer George Miller first introduced us to Max Rockatansky, the Road Warrior who became a cultural icon.

Ttoni allaylis mad max beyond thunderdome